Medium-soft, multi-toned. Perfect when used in a set of four throughout the whole range of the marimba or in the bass position of a graduated set with ES12s and ES16.

Andy Harnsberger's design offers something new in graduated marimba mallet sets: a slightly graduated set of four that sounds great all over the instrument.
Sold as a set of four only.

A slightly brighter version of the classic GS13.

A bassy sounding, all-rubber core mallet with a lot of articulation.

A versatile, durable mallet designed for contemporary music that has sharp dynamic contrast, timbre contrast and high volume requirements. Excellent as a multi-percussion mallet for cymbals, small gongs and light drum work.
Rattan handles.

For the absolute maximum projection, the CN26 has the brightness of a hard un-wrapped mallet with the warmth and breadth of tone of a wrapped mallet.
Rattan handles.

A very hard mallet that still rolls well at low dynamic levels.
Rattan handles.

An excellent general mallet that is very versatile in respect to its application in concerto and ensemble literature. The most popular mallet in the Concerto Series.
Rattan handles.

An excellent mallet for general use in all types of solo and ensemble situations. It will produce clear passage work throughout the full range of the marimba.
Rattan handles.

A soft, wide-range mallet that is unusually rich in the bass, without being thumpy in the upper range.
Rattan handles.

Grand Soloist Graduated Soft Set Series includes:
1 GS3
2 GS7s
1 GS13
Sold only as a set of 4 mallets.

Grand Soloist Graduated Hard Set Series includes:
1 GS7
2 GS13s
1 GS16
Sold only in sets of 4 mallets.

Soft marimba.

Medium hard marimba.

Hard marimba.

Extra-hard marimba.

The first true bass mallet designed for today's full-range marimbas. In the hands of a skilled performer, continuous organ-style playing is effortless.

Smooth rolling, but robust bass.